Tag Archives: Meet and Greet

Tips for Musician Networking

Should you bringing a score post-concert to a performer or conductor who you just met? Should you send emails to those you don’t know? Watch and find out as esteemed composer and conductor discuss proper networking with Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors.

Bond has a masters and doctorate from the Juilliard School, where she was the only female in the conducting program, and a Bachelor’s degree from the University of Southern California. She has taught at Juilliard, The Conductor’s Institute, New York University and in the spring will design and teach online courses for Nyack College. She has honorary doctorates from Hollins and Roanoke Colleges, and Washington and Lee University. She was voted Woman of the Year, Virginia in 1990 and 1991.

Tips for “Meet and Greets”

As President and CEO of Washington Performing Arts, Jenny Bilfield has seen the organization thrive as one of the nation’s preeminent multi-disciplinary arts presenters, especially notable for launching and nurturing innumerable performing artists, and sustaining high-impact arts education partnerships with the DC public schools and diplomatic community. Bilfield has significantly broadened Washington Performing Arts’ profile and organizational capacity through new programmatic collaborations and alliances, an institutional re-branding, by launching the Mars Urban Arts Initiative (funded by Mars Inc. and Jacqueline Badger Mars) to fuel connections between mainstage and amateur DC artists, and in conceiving and producing the landmark, multi-partner concert, Of Thee We Sing, at Constitution Hall celebrating the 75th anniversary of Marian Anderson’s historic performance on the steps of the Lincoln Memorial.

As President and CEO of WPA (and in her previous stint as as Artistic and Executive Director of Stanford Live), Bilfield has seen her share of “meet and greets” and the successful outcomes that can arise from relationships that develop from these sometimes stressful and exhausting post-concert fetes. Bilfield suggests that artists ask questions and learn about those in attendance as a way of developing relationships that might prove beneficial for both parties.